MEXICO , Cuba | 73 minutes | 1959
In Mexico and everywhere else, El Santo is a legend. The masked luchadora (wrestler), whose face was never shown, was a star in the ring and onscreen. El Santo’s first film is a stunning landmark in the history of Mexican cinema, not just in its introduction of a brand-new kind of superhero — it went on to spawn over 50 sequels — but also because it was shot in Cuba on the eve of the revolution. An event screening of a pop culture classic, newly restored by a group of film archivists including none other than Nicolas Winding Refn.
LE SOUTIEN DE L’AMEXCID ET DU CONSULAT GÉNÉRAL DU MEXIQUE
No biography
Director
El amor de mi vida (1979)
De sangre chicana (1974)
Huracán Ramírez y la monjita negra (1973)
Angelitos negros (1970)
La venganza de Huracán Ramírez (1967)
El hijo de Huracán Ramírez (1966)
Sitiados por la muerte (1963)
El misterio de Huracán Ramírez (1962)
Santo contra hombres infernales (1961)
El enmascarado justiciero (1961)
Santo contra cerebro del mal (1961)
El tesoro del indito (1961)
La calavera negra (1960)
La máscara de hierro (1960)
El regreso del monstruo (1959)
Pepito y el monstruo (1957)
Pepito as del volante (1957)
Dos diablitos en apuros (1957)
La pequeña enemiga (1956)
Píntame angelitos blancos (1954)
Huracán Ramírez (1953)
Cuando los hijos pecan (1952)
Yo fui una callejera (1952)
¡... Y murió por nosotros! (1951)
Anacleto se divorcia (1950)
Cuando los hijos odian (1950)
Café de chinos (1949)
La hija del panadero (1949)
Angelitos negros (1948)
La hija del payaso (1946)
La pequeña madrecita (1944)
Morenita clara (1943)
¡Ay Jalisco, no te rajes! (1941)
El secreto del sacerdote (1941)
In the 1940s, former delinquent Jake La Motta finds an outlet for his pent-up rage in professional boxing. There are those classics that stand the test of...
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