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GERMANY | 26 minutes | 2018

Comfort Stations is some sort of psychological test. Participants should open themselves to experiencing the events. Please remember to treat these experiences with caution.

Programs

Thursday October 4, 2018

Program #12
21:30
Cinémathèque - Salle Principale

As part of COURT MÉTRAGE COMPÉTITION LES NOUVEAUX ALCHIMISTES 3 - 1/2

Saturday October 13, 2018

Program #247
17:00
Cinémathèque - Salle Principale

As part of COURT MÉTRAGE COMPÉTITION LES NOUVEAUX ALCHIMISTES 3

Anja Dornieden

No biography

The Skin is Good, 16mm, 12 min, color, 2018
Comfort Stations, 16mm, 26 min, color 2018
Heliopolis Heliopolis, 16mm, 26 min, color, 2017
The Masked Monkeys, 16mm, 30 min, black & white, 2015
Wolkenschatten, 16mm, 17 min, color. 2014
Gente Perra, 16mm, 25 min, color/black & white, 2014
Come and dance with me, 16mm, 4 min, color, 2013
A flea’s skin would be too big for you,16mm/Super8, 47 min, color, 2013
Eigenheim, 16mm, 16 min, color, 2012
The Handeye (Bone Ghosts), 16mm, 7 min, black & white, 2012
Oro Parece, 16mm, 6 min, black & white, 2012
Awe Shocks, 16mm, 3 min, color, 2011

Juan David González Monroy

No biography

The Skin is Good, 16mm, 12 min, color, 2018
Comfort Stations, 16mm, 26 min, color 2018
Heliopolis Heliopolis, 16mm, 26 min, color, 2017
The Masked Monkeys, 16mm, 30 min, black & white, 2015
Wolkenschatten, 16mm, 17 min, color. 2014
Gente Perra, 16mm, 25 min, color/black & white, 2014
Come and dance with me, 16mm, 4 min, color, 2013
A flea’s skin would be too big for you,16mm/Super8, 47 min, color, 2013
Eigenheim, 16mm, 16 min, color, 2012
The Handeye (Bone Ghosts), 16mm, 7 min, black & white, 2012
Oro Parece, 16mm, 6 min, black & white, 2012
Awe Shocks, 16mm, 3 min, color, 2011

contact

  • OJOBOCA

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A fantastical cinematic journey through decades, decline and obsession, to the Sibyl's cave wherein she discovers vesuvius symbiosis with cinema, memory,...

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The Soft Space

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The Soft Space point of departure is an interest in civic urban architecture, its effects on the body, and socially constructed notions of public/private...

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